Wealth

Aristophanes (c.446–c.386 BC), translated by Theodoridis, G., (contributor-contact-email)

Aristophanes’ play Wealth (Plutus), first staged in 388 BCE, is a comedy that explores themes of wealth distribution and morality in Athens. The story follows Chremylos, a virtuous but impoverished Athenian, and his slave Cario. Chremylos, following the oracle of Apollo, encounters the god of wealth, Plutus, who is ironically a blind beggar. Chremylos convinces Plutus to come to his home to have his vision restored, believing that once Plutus can see, wealth will be distributed to the deserving.

The play discusses the random nature of wealth distribution and questions the correlation between virtue and wealth. The narrative evolves with the goddess Penia (Poverty) presenting a counterargument that poverty is essential for maintaining societal order and motivation for work. Upon Plutus regaining his sight, the world experiences a social and economic upheaval, leading to discontent among those who lose their wealth. The play concludes with the god Hermes, concerned about the neglect of traditional gods due to Plutus’ restored vision. Concerned for his own position he actually offers to serve mortals and enters Chremylos’s house as a servant.

Wealth highlights the complexity of wealth and virtue, while satirizing Athenian society and its moral values.

Author Details

Aristophanes (c. 446–c. 386 BC), an Athenian comic playwright of ancient Greece, is known for his contributions to the Old Attic Comedy. He wrote 40 plays during his career, of which eleven survive nearly intact, offering valuable insight into the genre.

Aristophanes, also referred to as “The Father of Comedy” and “the Prince of Ancient Comedy,” is recognised for his satirical prowess, while his works are notable for their vivid depictions of life in ancient Athens. His comedic power of ridicule was infamous, and feared by a number of influential contemporaries.

In his early career, Aristophanes faced criticism and legal challenges, notably for his play “The Babylonians,” which was seen as slanderous with regard to Athens. However, he continued to produce biting satires, with Cleon, a prominent populist in Athenian politics being a particular target.

Aristophanes’ mastery of language was a key aspect of his plays. He skilfully employed various poetic forms, including iambic dialogue, tetrameter verse, and lyrics. His use of rhythm and wordplay added depth to his comedic narratives.

The cultural impact of Aristophanes extends beyond his artistic contributions, as his plays offer valuable historical insights into classical Athens and its political ethos. His influence on European theatre and literature was immeasurable, many writers drawing inspiration from his comedic genius. His plays continue to be a rich source of quotation and cultural reference.

While little is known about Aristophanes’ personal life, his legacy as a comic playwright and satirist is evidenced by the enduring relevance of his works.

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Theodoridis, G.,

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